My mother gave me many gifts, one of the most treasured being the sensibility to appreciate the artistic marriage of music and words. Those who were able to attend her funeral heard an array of classical, traditional and contemporary compositions that were chosen and put in order by her – not recently, but years before she passed. She included on her program (which she helped to design and approved just before her death) some special lyrics from a hymn she loved, Lead, Kindly Light.
I was not ever thus, nor prayed that Thou shouldst lead me on;
I loved to choose and see my path; but now, lead Thou me on;
I loved the garish day, and spite of fears,
Pride ruled my will; Remember not past years.
Music became a part of my grieving and my mourning even during the long night spent clearing and cleaning immediately after Mother’s body had been taken from our house. For several days I could only find solace in the offerings of Bruce Cockburn, a Canadian singer songwriter I’ve always loved for his ability to write about spiritual matters from a Christian foundation moderated by a cultural perspective that does not diminish others of the world’s religions. I chose to place some of his lyrics from the song The Rose Above the Sky on the back of Mother’s program:
Something jeweled slips away
Round the next bend with a splash
Laughing at the hands I hold out
Only air within their grasp
All you can do is praise the razor
For the fineness of the slash
Some weeks ago, I was able to get out the tiny tape recorder that I kept near the piano for the times when Mom could sit there and allow some of her favorite pieces to fly from her weakened fingers. I listened one whole afternoon to the scattered recordings I’d made, remembering the joy that overwhelmed me each time I heard her play once again when I had begun to doubt she would make it back to the bench. On some of those occasions, she would play My God and I, which was sung by a friend at her service according to her plan.
My God and I go in the field together;
We walk and talk as good friends should and do;
We clasp our hands, our voices ring with laughter;
My God and I walk through the meadow’s hue.
A few weeks (maybe even a few days) before Mother passed away, she had just finished playing the piano when she asked me a painful question: “Do you think there is any way that I can possibly get better?” As I was trying to formulate my response, I thought immediately of Cindy Bullens and her CD Somewhere Between Heaven and Earth.
I don’t remember how I learned of Bullens and the 1999 album of 10 songs she recorded as a tribute to her 11-year-old daughter who died of cancer – but the work has long been an inspiration. The genre is light progressive rock, influenced by the likes of Carol King, Joni Mitchell, Heart and the Indigo Girls. Lucinda Williams and Bonnie Raitt make small contributions to a couple of the songs. But it’s the introspective lyrics in combination with the poignant melodies that give this work its ability to help anyone who is mourning. Bullens unabashedly carries the listener through the various stages of grief, with tangible examples like a trip to Paris seeming dull in comparison to memories of her daughter and the impossible hope that a scientific discovery like finding water on the moon can somehow mean young Jessie will find her way back to earth.
With Bullens and her acute loss in mind, my answer to my mother took the form of another question: “What if there was an 11-year-old child here, whom we loved, and who had cancer – and we knew she was going to die? What if she asked us this question? How could we answer her?” I then told my mom that it was time for her to practice what she preached, and to talk to God, in her own way, so that she could prepare for where she was going. I told her, in effect, to let go of the things of this world, and to begin to look forward to the next.
And now it is me who is left here trying to let go – of her. It’s hard when your mom was cool, was someone you hung out with, loved the things you loved, understood human nature in all its flawed nuances and exercised her sharp language skills and dry sense of humor up until a few hours before she took her last breath. It’s hard when you’re a relentless perfectionist constantly plagued with feelings that you could have done more, should have done better as a caregiver. It’s hard living right where it all went down, the set and setting for our last two years together. And it’s hard when a relatively non-material girl has an accumulation of 81 years of sentimentally charged high-caliber material possessions to sort through, deciding what to keep, and doling out the rest as best she can to those who will appreciate them as much as Ruthe did.
But one of the lessons I have learned from my grief is that if I can do some good now for others around me, then Mother lives on… because in some way I become her as I move forward.
And move forward I have decided to do. I have the beautiful house we shared in Winchester, Kentucky up for sale, and whether it sells in two weeks or two years, I am soon headed to the mountains of Western North Carolina to seek work and a new beginning. When my father was working at Ridgecrest Baptist Conference Center outside of Asheville the summer he was courting my mom, he took her on several memorable hikes; she even made it up the strenuous trail to Catawba Falls, which is no small feat. They loved the mountain forests there – and so do I.
Another lesson I have learned from my grief is this: When someone dies, there is a shifting and a shuffling that happens in preparation for the “new order” left behind. To use a baseball analogy (and I did go to a Reds game last month in honor of Mom), when one player is out of the game, the lineup changes. Since losing Mom, I have gotten closer to some folks I’d never really known before, including some of her close friends and members of our extended family who’ve come forward to lend support. Even among my own close friends, the shifting and shuffling is apparent; new bonds are formed as everyone rallies to take a position that will not only offer me strength, but also allow for growth that somehow just wouldn’t have been possible before.
True, like the protagonist in Gillian Welch’s traditional-sounding song Orphan Girl, “I have no mother, no father, no sister, no brother” – but I feel more whole and connected each day, nonetheless. Some lyrics from Cindy Bullens express it best:
There’s a curious freedom rising up from the dark
Some kind of strength I’ve never had
Though I’d trade it in a second just to have you back
I gotta try to make some good out of the bad
So I laugh louder
I take less time to make up my mind and I
I know what I want and what I don’t
And I’ll be better than I’ve ever been
Better than I’ve ever been